Yojimbo Movie Review & Film Summary (1. Almost the first thing the samurai sees when he arrives is a dog trotting down the main street with a human hand in its mouth. The town seems deserted until a nervous little busybody darts out and offers to act as an employment service: He'll get the samurai a job as a yojimbo - - a bodyguard. The samurai, a large, dusty man with indifference bordering on insolence, listens and does not commit. He wants sake and something to eat. Advertisement. So opens . He was deliberately combining the samurai story with the Western, so that the wind- swept main street could be in any frontier town, the samurai (Toshiro Mifune) could be a gunslinger, and the local characters could have been lifted from John Ford's gallery of supporting actors. Ironic, that having borrowed from the Western, Kurosawa inspired one: Sergio Leone's . Even Eastwood's Man With No Name is inspired, perhaps, by the samurai in . The opening titles inform us that in 1. Tokugawa Dynasty, samurai were left unemployed and wandered the countryside in search of work. We see Sanjuro at a crossroads, throwing a stick into the air and walking in the direction it points. That brings him to the town, to possible employment, and to a situation that differs from Hollywood convention in that the bad guys are not attacking the good guys because there are no good guys: . He needs money and so presumably must hire himself out as a bodyguard to one of the two warring factions. There is the silk dealer and the sake merchant, both with private armies, who occupy headquarters at either end of the town. In between, the townspeople cower behind closed shutters and locked doors, and the film's visuals alternate between the emptiness of the windswept street, shots looking out through the slats of shutters and the chinks in walls, and shots from outdoors showing people peering through their shutters. Richie, whose writings on Kurosawa are invaluable, notes that Kurosawa's shots are always at right angles to what they show; they either look straight up and down the street, or straight into or out of the buildings, and . Indeed, in a crucial early scene, as the two sides face each other nervously from either end of the street and dart forward fearfully in gestures of attack, Sanjuro sits high above the action in the central bell tower, looks down and is vastly amused. His strategy is to hire himself out as a yojimbo to first one side and then the other, and do no actual bodyguarding at all. His amorality is so complete that we are a little startled when he performs a good deed. A farmer and his wife, possibly the only two good people in the town, are kidnapped. Sanjuro, employed by the side that kidnapped them, kills their six guards, frees them, tears up a house to make it look like there was a fierce struggle, and blames it on the other side. Disloyal to his employer? Yes, but early in the film, he is offered 5. One of the most thrilling movie epics of all time, Seven Samurai (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants. The samurai often walk about with their empty sleeves flapping at the sides, their arms folded inside their kimonos. This upsets the balance of power and tilts against Sanjuro's plans, which depend on his skill as a swordsman who can kill any number of the others without being wounded himself. The gun provides Unosuke with a sneaky kind of self- confidence, and he produces the weapon gloatingly from time to time. Occasionally, he kills people in cold blood, just to prove that he can, in events leading up to a final bloodbath. One of the first people Sanjuro meets in the town is the coffin- maker, and there is a nice moment when he first goes out to do battle and advises him, . The wide screen is fully employed for dramatic compositions, as when the armies face each other across an empty space. And there is a dramatic sense of depth in scenes were Sanjuro holds the foreground while forces gather in the background. Shutters, sliding doors and foreground objects bring events into view and then obscure them, and we get a sense of the town as a collection of fearful eyes granted an uncertain view of certain danger. He acts as the adviser for nine uncannily similar brothers who are remarkably inept samurai. The first official trailer has debuted online for a fantastic documentary. Legal download Seven Samurai Movie. Watch Seven Samurai trailer. Buy Seven Samurai in HD quality online. UKQUAD.COM is situated in the city of Derry in the Northwest of Ireland, UK. We have been selling movie posters on the internet since. The wounded Sanjuro no longer has his sword, but we have seen him practicing with a knife - - skewering a bit of paper as it flutters around a room. He faces Unosuke, the gunman. Without revealing precisely what happens between them, let me ask you to consider the moment when Unosuke aims his pistol at Sanjuro. It may be loaded, it may not be. Sanjuro cannot be absolutely sure. He is free to move away or to disarm Unosuke, but instead he sits perfectly motionless, prepared to accept whatever comes. This, it strikes me, is the act of a samurai aware that his time has passed and accepting with perfect equanimity whatever the new age has to offer. Here are a few examples of ways you can filter the charts: The Worst Samurai Films of All Time; The Top 10 Samurai Films of All Time; The Top 20 Samurai Films of All Time. This story revolves around a Japanese samurai known as mifune. He is from a humble farm in Hiroshima who must protect his family from yet another attack by the.
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